The Best Piano Songs From Video Games

You can’t think about certain video games without also thinking about their iconic music. But the songs you hear while you’re “crushing turts” do more than just entertain your ears. They’re a crucial part of the storytelling, and not a single level you’ve ever played would be the same without it.

We here at MuseFlow love to explore the ways that music intersects with our daily life. We’ve looked at The Best TV Pianists and The Best Movies About Playing Piano, and now we’re diving into music’s role in video game narratives.

Setting the Tone with a Good Theme

Koji Kondo, the legendary composer behind Super Mario Bros. and The Legend of Zelda, said in an interview, “Music is very powerful when it comes to creating an atmosphere for games, and fueling the rise and fall of emotions. It is a vital element for creating an enjoyable game.”

A good theme immediately tells us so much about the tone, style, and intensity of the game we’re about to play. Kondo’s main theme from The Legend of Zelda feels regal and uplifting, preparing us for a grand fantasy adventure. His Super Mario Bros. theme was inspired by dance music to match the movements of the game. The theme from Stardew Valley opens with a soft flute that puts us in the cozy game mindset.

Sometimes a theme that goes against genre expectations can reveal interesting truths about its game. The Last of Us’ downtrodden, twangy theme creates a feeling of forlorn Americana that matches the game’s experience of an apocalyptic road trip and tells you that this won’t be your typical zombie game. And when you sit down to play space exploration game Outer Wilds, you’re met with a surprisingly folksy theme that utilizes the banjo, guitar, and harmonica, evoking the game’s feeling of a “backpacking adventure through space” and the thoughtful introspection that it inspires.

Clearly Distinguishing Levels

Music is also a huge part of immersing you in a game’s setting. Koji Kondo used music to contrast between levels, helping the player to always know where they are throughout a game. Think about Hyrule’s bright overworld music compared to its dark, ominous dungeon theme. The music is an auditory marker of the setting, complementing and adding upon the visual information the player is receiving.

In more modern open world games without the traditional levels of early platformers, music can still inform you of a change in location. In Breath of the Wild, each region has its own distinct music that immediately informs you about the new setting and the characters you’re going to encounter. Consider the use of the tuba for the big, slow-moving Gorans of Goran City vs. the soft, magical harp and piano sounds of the Great Fairy.

Outer Wilds composer Andrew Prahlow used a “homey sound for Timber Hearth…a unique piano sound for the Nomai, and synths for the Quantum areas of the game.” When you take off into space, you can even hear the banjo sounds of your home planet music slowly get replaced by soft exploratory electronic/piano music. It feels like the music is on the exact same journey you are!

Immediate In-Game Emotional Feedback

Video game composers use psychological principles to create emotional feedback loops with their music. Think about every time Link opens a treasure chest. There’s an emotional build up that creates suspense, followed by a celebratory release when he pulls out the new item.

As this article explains, music can be used along with other audio feedback to create a system of “rewards and consequences” to tell players “how their actions are interpreted—and how they should feel about them.” Victorious music that plays when you discover or achieve something can provide a dopamine trigger and positive feedback loop, while the displeasing music when you lose something or die can have the opposite effect.

Music can match the intensity of a moment, helping to create a cognitive mapping of the world and its different threat levels. Open world games often switch to faster-paced music during a fight, and ominous music can be used to signal an imminent danger. There’s no sound more triggering to a millennial than the heart-pounding, cortisol-spiking drowning music in Sonic The Hedgehog.

While some music can make you feel a certain way about a particular setting or the game as a whole, reactionary music tells you how to feel about the actions you take and the actions befalling your character.

Conclusion

Music is a crucial part of creating a game’s setting, tone, and emotion…core components of its storytelling. Composers are storytellers just as much as the writers and programmers. Try playing a game without sound…it’s just not the same.

At MuseFlow, we understand the importance of blending music and games. That’s why we created a gamified piano learning program that offers:

• Incremental, hyper-specific levels that give you the perfect balance of skill and challenge.
• Real-time responses to your playing that encourage a steady Flow State, similar to the one you experience during a good gaming session.
• Indefinite sheet music that offers constant variety.
  

When discussing his compositions, Koji Kondo said, “I think that music also plays an important role in terms of having the game stay in your memory for a long time.”

I think that’s 100% right. How else could you explain why I haven’t been able to get this song from Sonic Adventure 2 out of my head since 2001?

The most exciting thing about learning to play the piano is the freedom to play songs already familiar to you. One of the most motivating parts of learning to play piano was learning my favorite song for a talent show. And did you know that there’s evidence that this can actually help you learn more effectively? When you’re having fun and playing songs you know and love, you’re more likely to stick to the habit!

Below are some of the best songs to help you get started. We chose songs from different decades that made an incredible impact on the world that you start learning to play today!

Hallelujah - Leonard Cohen - 1984

Hallelujah was released by Leonard Cohen in 1984 on his album Various Positions. Since then, several versions of the folk rock classic have been released, including a version by John Cale that you might have heard featured in the 2001 Dreamworks film Shrek.  

The incredibly poetic lyrics are set to a haunting progression of C, F, G, A minor, and back to F - even being referenced in the famous first verse: “it goes like this, the fourth (F), the fifth (G), the minor fall (A minor), and the major lift (F).”

Since then, the song has continued to be immortalized through covers throughout the decades. Jeff Buckley released a cover in 1994 that eclipsed the popularity of the original, even earning a spot in the Library of Congress in 2013. The song continues to live on with people offering new interpretations, including Kate McKinnon famously covering it during an SNL cold open in 2020.

Scarborough Fair - Simon & Garfunkel - 1966

Paul Simon and Art Garfunkel were one of the best selling musical acts of the 1960s. They were known for their truly eclectic musical influences, which incorporated their haunting harmonies on to folk, Latin, and gospel influences. Their pair added their own twist to the traditional English ballad Scarborough Fair by incorporating the melody of an anti-war song written by Paul Simon, resulting in the phenomenon known as counterpoint - which is you combine two independently satisfying melodies. This resulted in what is arguably the most popular rendition of Scarborough Fair.

Their cover of Scarborough Fair appeared on their third studio album, Parsley, Sage, Rosemary, and Thyme. The album is named after the refrain in Scarborough Fair, where the singer bemoans the impossible tasks they require one to accomplish for their love.

Scarborough Fair is also an excellent example of Dorian mode - which is a type of musical scale that gives the English standard its dreamy, gut stirring feeling. Other songs written in Dorian mode include Blue Jeans by Lana Del Rey, and Billie Jean by Michael Jackson.

Piano Man - Billy Joel - 1974

Now we enter the 70s - don’t worry, I have some extra bellbottoms you can borrow! Billy Joel released Piano Man in 1974, about his time moonlighting as a piano lounge singer when he needed to pay the bills. At the time, he was in a legal battle with his record company and went by his middle name, Bill Martin.

The lyrics detail different regulars that come into the bar where the singer, the Piano Man, is playing.  The 1974 version is in the key of C Major, and begins with a jazzy riff before falling into a ¾ time signature.

The song was moderately successful initially. It peaked at number 24 in the Billboard Top 40, making it Billy Joel’s first ever Top 40 hit. However, it’s since become one of his most recognizable and most loved songs. In 2015, it was selected as one of 25 songs to be preserved by the Library of Congress.

A Thousand Years - Christina Perri - 2011

Christina Perri wrote and recorded A Thousand Years for the penultimate film in the Twilight film franchise, The Twilight Saga: Breaking Dawn - Part 1. While the song had a slow climb up the charts initially, it has persisted and gained a life of its own. As of May 2026, it has almost 29 million uses on TikTok and 3.8 billion views on Youtube.

Written in the key of B-flat, Perri sings about the at-times tragic love story of Edward and Bella from the Twilight franchise.

Conclusion

The piano has been a mainstay on the chart throughout history. All of these songs are available for you to learn now on MuseFlow, tailored to your pace and current skill level. Our lessons:

• Offer gamified lessons so you’re never bored
• Teach you to master sight reading instead of rote memorization
• Provide incremental learning, encouraging Flow State